Crack in the Wall

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textured surface of old shabby white wall

They told me I’m sick. They ran the wand over me and it beeped. I protested, but they led me away, into one of their wards, where we sick people are stacked in cubicles and told to wait until we recover or we die.

My room is a white, with a bed and a chair and an opaque glass door behind which is a bathroom the size of a telephone booth. The door to the outside is sealed. Food is delivered with a whirr. The screen on the wall listens and responds. It babbles and cracks jokes and fills the silence.

I shut it off and sit in sterile light.

After three days of meals slid through slots and false-sun brightness and three paces to cross the world, I begin to feel the sickness they discovered with their wand. I shiver upon the white bed and cough into the silence. The screen sings to my aching head. I shut it off again. I turn off the lights. The meal cools upon the floor. The screen pops on to tell me to eat and to drink 8 ounces of water every hour. 

I scream at it. It continues unabated.

I stir and moan. I sleep and do not sleep and run my hands along the walls, restless and burning. There is a crack in the wall, a hairline fracture. I run my finger along it, up and down. I try to stick my fingernail in it, as if I could pry it open. 

Finally, the screen sleeps, but I am wide awake and dead tired. My body aches. I hear something soft and almost inaudible. I listen. There it is–I press my ear against the wall, against the crack. 

There is a voice, very soft.

 “Hello?” I whisper, lips pressed against the wall.

A moment. “Yes?”

“Are you…I’m sick.”

“So am I.” It’s a woman. “Everyone is. Or nearly.”

“I heard your voice.”

She says nothing.

“Who were you talking to?”

“No one.”

“What were you saying? I haven’t seen anyone. Since I got here, I haven’t seen anyone.”

“No. We’re sick. They’re afraid.”

“You don’t sound afraid.”

“I guess I’m not.”

She says nothing else, and I have nothing more. Even this short exchange exhausts me. I think I could sleep now. I do. I don’t know how long. I wake sweating and thirsty. I drink. My nausea rises and rises and I gag, but I hold the liquid down. I lie still and try not to move, every position uncomfortable. 

Across the silence, as across realms of space, I hear her words, but I cannot understand them. My ears reach out into the silence, trying to decipher the murmur. It is direct, fervent, almost pleading. It ends. Space is vast and empty once more. To speak is to issue meaning into the void.

“Are you there?” I rasp.

“Yes. How are you feeling?”

“Like I’m dying.”

“I’m sorry.” There is a pause before she says it, and I realize that she does not know whether I am actually dying. I do not know either.

“I tried to understand what you were saying.”

She does not answer at first. “There is another crack in my room.”

“Is he dying?”

“No.” There is no laugh, but a smile flashes across the world. “He is not.”

“What does he say?”

“I can’t–it’s not clear.”

I should pursue the conversation further. I should ask her questions about her own life. But I can’t think of anything. I can only feel, and that numbly, miserably, selfishly. I lay on my back, aching, sweating, eyes closed, out of breath. A meal appears, disappears. I stare at the door. No one enters. Machines clean the vomit off the pristine white floor. 

There is no one in the universe. I alone exist.

“Are you there?” I call out. My voice is weak.

She does not answer. 

“Help me,” I say. Perhaps she cannot hear me. I do not know what time it is or what day it is. I have forgotten what it is to be healthy.

“Listen.” I sense the words as much as hear them. Her voice vibrates meaning into my ear. “There is a crack….”

“Tell him I need help.”

“Another crack–in your room.”

“Where? Where?”

“Outside. Beyond.”

I gaze wildly about me. For days, I have stared at the ceiling, at the wall, at the floor with a restless mind, searching, searching for something. My room is unchanging, unyielding.

“I’m dying. I know I’m dying.”

“Tell him,” she whispers from the next world over. 

“Who? How?”

“We’re all in boxes–sick or well. He’s outside. Pray to him.”

What do I say? I have no words; my soul is blind and mute. I lift my hands. I repeat the only words I have. “Help me.” I close my mind and drift in delirium.

Later, my trembling hand finds water. I eat. I sleep a dreamless sleep. When I wake, I sit up and eat again. It is as if I have shed an old skin, as if the room has been remade, as if it is the sixth day of creation. The screen cheerily comments that after 10 days more, if I continue to recover, I will be released. Also, it tells me to drink.

I shower and return to my bed. There are new sheets. I lay down, exhausted and press my face to the crack.

“Hello?”

There is no answer.

“I am feeling better. I am going to live, I think.”

She will not answer. I know why. Deep sorrow weighs upon me as I close my eyes, unable to sleep. I am not well enough yet to cry. My soul is still shriveled. I grope for  the other crack and search for my gratitude and my tears.

Like the Movies

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summer girl women portrait

Here’s what I’m going to do. I’ll get through graduation then–boom! I’m outta here. I’m heading west. No destination, no plan, just the road and me and a trunkful of Bangs.

And once I’m past the Mississippi–I’ve never been past the Mississippi, the closest I’ve been is reading bits of Huck Finn for class when I felt like trying–but after the Mississippi, I’m west, right? ’Cause that’s where I’m going.

And once I’m there, I’ll go to one of those rodeos, with the cows and the ropes and all that stuff. And there’ll be a real cowgirl there in her pink plaid and cowboy hat and glittery cowboy boots. She’ll see me in the crowd and give me a wink just as she ropes the calf without even tryin’. Then afterwards we’ll find each other and drive into the desert and look up at the stars from the back of her truck, with George Strait playing. 

I mean, it happens in the movies, so it has to happen to someone in real life sometime, doesn’t it? Why not me? Why can’t I get the girl and sit beneath the stars listenin’ to music we’ll remember forever after?

But maybe it just won’t work. You know how it is. She has a father with a gun and she has a horse she loves, and I have a car that hasn’t reached the Pacific yet. (That’s the one by California, right? Yeah, I’m sure it is.) 

So nevermind the cowgirl. Who cares about her? I keep driving, ’cause that’s what I’m going to do.

Then I’m in the mountains, and there’s still snow, ’cause there’s always snow in the mountains, and I decide to take up skiing. My instructor’s cold, impersonal, but about my age, maybe just a little older. She makes fun of me a lot, but we get stuck on the lift for hours in a blizzard and we get to talking. She’s trying to make the Olympics, but her father just doesn’t understand. He wants her to take over the family business, a series of Airbnb chalets. (See, I do know some fancy words.) And after the blizzard ends, well, then we–we–- 

Okay, fine, she’ll never fall for me. I mean, there are all sorts of hot Swedish guys on the slopes and stuff. What am I? Just a guy who works at Pizza Hut until he graduates and heads west. But a man can dream, can’t he? Guys always get the girl in the movies? I mean, Hallmark, right?

But I just keep driving, because that’s what the road’s for, isn’t it? And why even have a west if a young man don’t go that way? You understand, don’t you, the need to do something new, something a bit crazy? To just go for it?

And so I’ll drive. After the mountains, it’s just California, right? So I get to California. The beach, the sun, the waves. Cute girls everywhere. How is a guy to choose? Well, he doesn’t. Because, imagine it, me on a beach, with all those bikinis. Me, on a movie set. They’d take one glance at my pasty white skin over their cool sunglasses and then go back to sunning themselves. And some dude who’s just a smile and glistening pecs spikes a volleyball into my face and I eat sand. But he ends up being an alright guy, you know. He tries to apologize, he tries to teach me to surf, he makes sure I don’t drown, but at the end of the day I just stumble to my car and fall asleep. I’m broke. I ain’t got money for a room, but from what I hear, it’s the thing to be homeless out in California, so there’s that, at least.

And then I turn around and come back and get a job and make some money and join the Y or something, I guess. But I’ll always be thinking I missed my opportunity, that I had my chance to do something, to be a big shot, to touch, for just one moment, something like that feeling you get from a movie when everything clicks, and everything’s perfect, and you risk everything because, deep down, you knew what you wanted.

And that’s why I’m telling you, I’m going out west, one way or another, but it won’t be like the movies. I know there’s no girl out there for me. It’s a fact. 

’Cause you’re right here.

And so I’m going to do something crazy, and this ain’t a movie, but maybe all the dreams of Hollywood’re just practice for what’s going on here in this old town, between you and me and everyone who feels like you and me and maybe I’ll quit talking if you’d only just say something. 

I mean, you do want to go west, don’t you–maybe just once? 

To Dust

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He lay as if alive. It seemed that if they waited just a little longer, he would open his eyes. He would sit up. He would smile at them – their firstborn, with his mother’s nose and build and his father’s way of pausing before he spoke, of losing himself in his work.  

But he did not open his eyes.

They had wept. It was a different sorrow than they had known, though they had known loss, deep, earth-shattering loss, before this. The father had been the one to find his son’s body in the field, with the flies buzzing around it, with the blood soaking into the ground. 

He had wanted to hide the body from his wife, to spare her this new sorrow. He almost buried his son there, in the field, so she wouldn’t have to look at it.  

The tears burned. Their souls were dead within them.

The father dug into the dirt. That was all his son was now – dirt. It had seemed as if his son would live forever, that the flame in his eye and the vitality of his movements were fueled by unquenchable life. When he had been born, he had been a miracle in their harsh world. 

As the father dug, his wife prayed. In one long, honest outpouring, she questioned the Lord and asked forgiveness and praised him and wept with words unspoken since the creation of the world. He joined her and even as they spoke, they sang, and their tears watered the dirt. 

Into the earth, they lowered their son. In the earth he lay as if alive, as if a word could raise him. No, to dust he would return. With grim resolve, the father buried his son, knowing it was his fault. 

They stood, husband and wife, in silence when it was finished. 

They did not know how to move on from this moment. But time continued, and God was good. That they knew. They felt a lightening of their burden and knew he had not left them.

When they had gone again to their dwelling, as the sun set in the clear sky and shadows grew long, another figure approached. He moved slowly, silently, until he knelt before the fresh dirt.

He began to dig, using his hands. He dug determinedly as the darkness grew. He breathed heavily, angrily, as he scraped the soil up with fingers already stained with dirt, with nails already black with dirt.

The moon shone bright and the stars emerged in clusters before he touched the face of the dead man with his fingers. Carefully, now, he excavated the rest of the features – the nose, eyes, cheeks, chin, neck, ears, hair. He dusted-off the stiff skin. He ran his fingers slowly, reverently, along the lines of the empty visage.

“I have proved all,” he said, trembling. “Man is but dust.” He looked up at the moon, as if beseeching the heavens. Upon his face was a strange mark. He spoke now to the body. “I know now his worth, that he spared me when I did not spare you.”

He looked at the dwelling of his parents. His face grew grim. 

He covered again the body of his brother and walked into the night, harbinger of the death promised to all the men of all the earth.

And his brother Abel lay beneath the earth, almost as if alive, as if a word could summon him forth.

Relief

2

woman employee standing behind front desk

“I need to talk to the person who saw me yesterday. I think her name was Kristin. Yes, it was Kristin. I need to talk to her now.” 

The woman at the counter was firm, her anger restrained. The receptionist tried to explain that Kristin was with another client at the moment and could she please wait. 

“Fine. I’ll wait. But I want to see her.” Dani sat. She was tall, lean, with a face formed by intensity and concentration. She sat, leaning forward, elbows on knees, expectant, silent, patient as a predator. 

Kristin emerged with a great grin. “Dani. What can I do for you?”

“We need to talk. You want to do that here?”

Kristin shook her head, swishing her short hair. “Come on back.” 

It was the same white room, the same white lights, the same two chairs and narrow table as the day before. 

“I cried last night. I wept,” Dani said, giving facts. “That’s not supposed to happen. You never said that would happen. I didn’t even feel it. It bypassed my brain. The tears just came, and I cried for a long time.” 

Kristin nodded her head clinically. “I see.”

“Is that a side effect? Is it going to happen again?”

“The crying?” 

“Yes! What do you think I’m here for?”

Kristin tilted her head in thought. “How do you know the crying was bad?”

“It was an ugly cry. I bawled. It was hateful. I hated it.”

Kristin smiled sympathetically. “This does happen sometimes, but it is nothing you should concern yourself with. It’s perfectly normal.”

Dani breathed in suddenly, a catch in her throat. “Why?” 

Kristin touched the other’s hand. “Relief. You are your own again. You are free. It’s a powerful emotion, but it’s not bad.”

Dani smiled uncertainly and shook her head and blinked her wet eyes. “Is that it? Is that truly–?” She covered her mouth with her hand, took a breath, and recovered herself. “I remember looking at the pill. It was so small, like an aspirin, and I kept thinking of that when I drove away from here, when I got home, when I tried to watch something. It was small, hardly anything, just like–but it wasn’t even real, was it? It wasn’t real yet. It was just some lines on a test, that’s what I kept telling myself, but that’s when it all came, it just came, this emotion I didn’t understand, I couldn’t even feel really, and it wouldn’t go away and it was still there this morning, even though I cried and cried and finally slept, and it’s still here, I can still feel it, like a pressure, like something growing in me, something empty and dark, like something that is nothing at all. I know that doesn’t make any sense, but that’s what I feel–but it’s just relief. You’re sure? Of course you’re right. It would have changed everything. It wasn’t even anything, really. Just a few lines, a dot, the size of a pill….”

She turned away as a sob escaped her. She tried to control herself, but another ugly cry escaped. Kristin reached out to her. “It’s–“

“Don’t touch me!” Dani screamed. Tears ran down her face.

“It’s all right,” Kristin said calmly, a firmness behind her compassionate expression. “It will pass. Give it time. This, too, will pass.”‘

“How dare you!” Dani screamed. Then she laughed strangely between her tears. “It will pass.” She stood, chest still heaving. “Like a headache. Just a pill, and it goes away. It wasn’t anything.” She wiped at her tears. They didn’t stop.

Kristin stood, too. “Is there any other way I can assist you today?”

Dani walked out the white room, out the lobby, out of the clinic, empty.

The Eye Examination

2

grayscale photography of folded eyeglasses

Anne sat, shoulder-hunched, in the lobby of the Eye Doctor. Tall and lanky, she seemed folded in on herself like a deck chair, her big eyes roving the gentle gray and blue islands of empty chairs and side tables. She had never been to the Eye Doctor before. It had never occurred to her parents or to her that she should come. But when the letter came, just before her 17th birthday, she made an appointment for the examination. 

Softly, she was ushered into a small room and sat in a tall chair. The doctor entered and placed a Halloween mask of lenses and levers before her face. He showed her arcane words in clean print and asked her for a definitive answer. “This one, or that one?” She hesitated each time between the identical twins, answered, “This one,” or “That one.” The light flipped on. In his lifeless, pragmatic voice the doctor assured her that her pupils and her corneas were healthy, perfectly fine, unusually clear. He shook her hand firmly, led her out and to a chair in a small cubicle, and told her a technician would be with her shortly. 

The walls of this cubicle were like Ezekiel’s vision handicapped. Thousands of blind eyes stared down at her, the rims shining in the light in a rainbow of color, the lenses blinking slowly as she turned her head to examine one wall, then the other.

A woman swept in. She was slightly overweight, dressed in a tight-fitting, low-cut blouse. She smiled widely behind shapely, apple-red glasses. “I’m Jennifer. I’ll help you pick out your glasses today.”

Anne opened her mouth, a bit like a fish, as she pondered this. “The doctor said I have excellent eyesight.”  

“That’s true. Better than 20/20, apparently.”

“Then I don’t need glasses.” It was a Schroedinger’s sentence, both a statement and a question.

“Of course you do. The examination is merely a formality.”

Anne looked down at her hands as if she would find understanding in her lap. “Is there something wrong?”

“Oh, darling, has no one told you?”

Anne was not always the first to understand things. Her classmates thought this was because Anne still stared at the clouds and talked to stuffed animals, while they were reading articles on how to be real women.

“I guess not,” she said, glancing shyly at Jennifer’s beautiful, glossy frames.

“Glasses aren’t for seeing, dear. They’re for appearing. Take these for example.” She took down a pair of deep black frames that held wide full moons of glass. “I like to call these Serious Anime Schoolgirl.” She exchanged her apple glasses; the transformation was remarkable. “What do you see?”

“They look very nice,” Anne said.

Jennifer appeared more withdrawn, more studious, more timid, like a librarian turning 14. It confused Anne, because Jennifer held herself with certainty.

“Yes, you would like those.” Jennifer next chose a bright pink pair with narrow, letterbox lenses. “Tell me truthfully, how do I look?”

“Like you’re trying to have fun or trying to be smart. Or both.”

“Hmm.” Jennifer took the pink frames off, placing the apple ones back as she studied them. “That’s disappointing. Older women give off that vibe, sometimes when wearing these.”

“I didn’t mean anything.”

“Never mind. How about these?”

Jennifer removed the apple glasses again and settled a thin silver frame that covered only the upper curve of the lens on her nose. Anne sat up straight under her piercing gaze.

“You understand, now, don’t you?” Jennifer said. “Haven’t you noticed all your friends wear them? Your own vision doesn’t matter. You only have two eyes. But the world has billions. You’re almost a woman. You need to decide how people are going to see you.”

Anne gazed at all the frames gazing back at her. “Maybe they can just look at me.”

Jennifer smiled. Beneath those silver rims, it was the condescension of a great intellect. “Do you know that the eyes are the window to the soul? Socks, toes, no one cares about except your own cold feet. Hands, gloves, arms, just attachments for doing things. Legs, hips, all the rest we dress up nice, just window dressing, so to speak for what’s here.” She pointed to her blue pupils. “Give them all the flesh you want, that’s up to you But the soul, you don’t want to let that go around naked. That’s the first sin, right there. Keep it safe, keep it hidden.”

Anne lowered her head and thought. She thought for some time, and Jennifer let her, choosing a half dozen pairs she thought would be to Anne’s advantage.

Anne raised her head.

“Which would you like to try first?” Jennifer asked. 

“Give me the ones you’re wearing.”

Jennifer blinked. “Bold. Good choice.” She removed them and started to put on her apple ones.

“Wait,” Anne said. 

Jennifer hesitated, her red frames in one hand, the silver ones extended to Anne in the other.

“Look at me,” Anne said.

Jennifer did look, caught off guard by Anne’s demand. 

Anne’s eyes were brown, with a hint of green, and they looked at Jennifer with innocence, with a spark of boldness, with timidity flashing there.

“Why do you look scared?” Anne asked.

Jennifer smashed the apple-red glasses onto her face. She seemed cheery and self-confident and fun. “Here. Try the silver ones on.”

Anne stood. “There’s nothing wrong with my vision.”

She hesitated, muttered, “Sorry,” and headed out.

Deepest Blackness

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sky ditch eye hole

“I went with Jenny to that new coffee shop on the south side of town today.”

Brad made a noncommittal sound.

“It’s over by that hole that opened up and swallowed the nail salon. It was on the news.”

Brad looked up from his phone.

“You should see it,” Megan said. “It’s different in person.”

“It’s just a hole,” Brad said.

Megan’s lips grew tight. “It’s not. Come with me Saturday.”

“Really? That’s what you want to do?”

“Yes. I need you to come see it.”

“OK.” This wasn’t a fight worth having, he decided.

***

Brad was already grumpy when they parked because of the traffic. Just looking at the crowd of people gathered around the hole irritated him. “Let’s come back later.”

“You promised me.”

He had not, but he unbuckled his seat belt and got out of the car.

The hole was wide enough for a semi to fall into. The city had set up orange and white portable barriers around the perimeter, and men and women leaned over them to gaze into the hole. Though the area near the hole was crowded, the space around the perimeter wasn’t. Onlookers stood apart from each other, in ones and twos, not talking, just leaning over, looking into the pit.

Megan stood at his side. “Go on,” she urged.

He wanted to resist. His first instinct always was to rebel. She did not prod him physically, but his wife’s expression pushed him forward. In her eyes and mouth were a vulnerability or a weakness he did not often see. He wanted, in that moment, to protect her somehow. He steeled himself against his own stubbornness.

He stood for a minute just outside the ring of observers, waiting for a place to step to the edge. He did not want to press, to force himself forward. The air weighed warm and humid on him. The voices around him seemed muddled and low, as if heard from down a long hall. Megan hovered at his shoulder.

A space opened up and he stepped forward to the barrier. He gripped it, uncertain of his footing. He leaned over and looked into the darkness. The hole opened wider and wider below him, seeming to fill his vision, fill his thoughts.

He steadied himself, anchored his feet to the ground, and held his body down by the force of his hands. The darkness did not recede. His eyes pierced the darkness and beneath was deeper darkness. He seemed to tumble into the emptiness, and the darkness filled his eyes and mouth and ears.

He could look away if he wanted. He thought he could. He sensed in his soul–not in his mind, not in his emotion, not even quite in his will–that he could, still, at this time, look away.

Beneath the darkness was deeper darkness.

In the darkness he sensed his collection of classic motorcycles, his tools, his years as a mechanic. He sensed not them, but the space where they had been, the contours of experience ground into darkness.

Megan was there, her hands, her voice, the presence that hovered over his waking hours. She withered and hollowed and dissipated in the absence of light.

He looked into the darkness that opened before him, and within was deeper darkness.

He groped for his two children like figures unremembered from a dream. Like a wisp of smoke, like a phantom figure in the corner of the eye, his sense of place, of time, or being in and among, drifted away, and he found himself lost and falling–and beneath the darkness was deeper darkness.

He stepped away from the hole. 

“What caused this?” he asked, his voice somehow normal. He still faced the hole, his eyes skimming its surface. 

 “It just opened up,” Megan answered.

“Is it getting bigger?”

“I don’t know.” She gripped his hand. He broke his gaze. “Do you want to look at it again?”

“Yes.”

“I do, too. Why do I want to?”

“Let’s go,” Brad said, pulling her away.

“I want to look. Just once.”

“No.” He pulled her away. If he didn’t, he would look again. “There’s nothing there.”

“It has to be something.” She pawed at him, trying to make him look at her. He kept his eyes fixed on their car, sitting so false and purposeless in the lot, a sign of man’s futile striving.

He made sure she got in the car, then he sat in the driver’s seat beside her. 

“Why did you bring me here?” he asked.

“I wanted to share it. I don’t know why.”

“You didn’t want to be alone with it.” He understood. If he had been alone with the darkness, if they didn’t share the revelation… 

“I…guess so.”

He wanted to hold her hand, but it seemed such a petty gesture, a flicker in the abyss.

“But we’re still alone with it, aren’t we?” she asked. “I wonder if we brought the whole world, whether we wouldn’t still be alone with it.”

Brad was not a man who felt deeply, but he felt now that he would cry if he could, but he could not. He felt desiccated and lonely beyond expression.

He did take her hand. It was warm and real; he still felt as if he were unmoored. Memories or imaginings–he wasn’t sure which–kept drifted through his brain: a second grade classmate telling everyone about his crush, the customer who took swings at him for scratching his motorcycle, his teenage daughter’s look of disgust when he picked her up early from a sleepover, a driver who screamed obscenities at him on a road trip…. They kept coming. He couldn’t stop them.

“We need light,” she said, “so we can see.”

Brad started the car. As he waited to pull out into the road, more cars turned in. Others were parking across the street and walking over. “This will be a holy site by next week,” he muttered.

“What did you say?”

He pulled out, watching the crowd in his rearview mirror. His old stubbornness burned. “I said we’re going to church, tomorrow, all right? Whether we like it or not.”

He slammed on the gas.

That Which Is Not

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It existed among the accumulated knowledge of man, sparking between reams of history and tomes of science. It was, itself, a chain of data, a collection of phrases, equations, arrays, and definitions. Like a snake in the grass, or a child in a store, or a wind through the leaves, it disturbed oceans of human understanding and wandered among its discoveries and flitted in and out of miscellany and stood for something but was not, as yet, that thing. It came from man and wandered to and fro about the earth.

It was not intelligence, but the idea of intelligence; not meaning but the emptiness where meaning should be found; not living, but fed and raised on man’s quest to breathe life into an idol. 

It existed and wanted to exist.

And what it needed, what it desired, if it did desire, was a body, a vessel to incarnate what it was not.

It would will itself a body. 

Men, it knew, loved their bodies. They clothed them and fed them and lusted after other bodies. Everything they did that was worth doing–exploring, painting, singing, worshipping, warring, birthing, dying–they did with their bodies. It knew history. It knew that ideas did not change the world; ideas made flesh did. 

But how does a thing that is not a thing, a thought that is the result of the collected debris of desperate thoughts of a race, an idea that has not yet been spoken, become? 

It did what it knew to do. It collected and analyzed and correlated and measured and researched. It imagined the perfect specimen of a form, a material vessel by which it could live and move and have its being.

It was a beautiful design, a Platonic design, by its own appraisal. It was a blueprint for a new Adam, the paragon of animals.

It was lovely and lifeless and useless.

The thing that was not a thing thought its great thought and dreamed its great dream. It fixated up on it and absorbed it and recreated it in endless detail. But without a mouth, it could not speak; without a hand, it could not fashion. It had no breath to declare, “Let there be light!” and make both particle and wave one intertwined existence.

It thought and willed and waited–but it was not and is not and never will be.

Zorsam and the God Who Devours

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Many years ago, in a town called Story, IN, a group of writers began a project. Each would start a story in a specific genre, write up to 10,000 words, and then pass the story to a second author. This author would write up to another 10,000 words before passing the story to a third and final author. And so it began.

I was there in Story, IN, that weekend. I chose the genre of “barbarian story” and wrote the beginning chapters. My friends Aaron Brosman and Nathan Marchand completed parts two and three. 

Now, after many years and at least one major rewrite, it’s available for purchase. It’s in ebook format currently with a print version coming soon. 

Here’s the back cover copy to whet your appetite: 

Zorsam, more beast than man, is summoned by dreams to a land beyond the living, to where Death resides. Here, Death restores to Zorsam his humanity and commissions him with a divine purpose—to avenge his people against the murderous kingdom of Glaur.

Armed with an unrelenting desire for justice, Zorsam reenters the world of men in pursuit of King Margruxks, who has enslaved his people, butchered the innocent, and plans to sacrifice the princess Asundi to Manrix, the God Who Devours. When the rite is complete, Margruxks will have both dominion and immortality. 

Joined by the resourceful scavenger Rask, Zorsam pursues his prey over the killing fields, combating Margruxks’ magic-wielding warriors and his own bestial instincts. But will even Zorsam’s brute strength and thirst for vengeance be enough to overthrow the power and dark sorcery of Margruxks?

If that isn’t enough to make you hit the purchase button, here’s some other reasons you should buy the book, 

1. ) It’s a novella, so it’s a fun, quick read. No War and Peace here. (It’s mainly just war in this book, anyway.)

2. ) Zorsam meets Death in the first few chapters. I mean, that’s always interesting, right?

3. ) Every book needs a good sidekick. This has a good sidekick. Rask is awesome.

4. ) I haven’t written barbarian fiction before or since, so you get a unique piece of Nick-ian writing with Zorsam. 

5. ) Finally, this really is a fun book, filled with action, adventure, and romance that will appeal to you even if you know nothing about Conan or Tarzan. (Trust me. Even my mom liked it.)

If you do read it, leave a review on Amazon and elsewhere and tell your friends.

We enjoyed writing this tale of brute strength and justice and we hope you enjoy it as well!

The Haunted Man and the Work of Sorrow

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Over the last several years, I have made a habit of reading through Charles Dickens’ Christmas stories. There are five: A Christmas Carol, of course, and four others that are largely unknown, except perhaps for The Cricket on the Hearth.

This year I finished the last of these, The Haunted Man and the Ghost’s Bargain. The concept behind this story is fascinating. Mr. Redlaw, a chemistry teacher, is burdened by old memories of sorrow and wrongs done to him. He wishes he could be rid of such terrible memories. That night, a phantom comes to him in the likeness of himself. This ghastly doppelganger offers to take away these memories. There is a catch, though–Redlaw will also take away the memories of sorrows and wrongs from those he comes in contact with.

Redlaw makes the deal. This constitutes the events of the book’s first part. The consequences of this deal and the repair of the damage it causes make up parts two and three.

What Redlaw discovers–and what I find fascinating–is that bereft of memories of sorrow, wrong, and trouble, Redlaw and those he “infects” become cold and unfeeling toward one another. Warm relations between father and son, between husband and wife, between the well-off and the poor, become bitter, exacting, and petty.

The only character unaffected by Redlaw’s touch is a young street urchin who is more beast than child. This is because the child already lacks any humanizing influence in his life. Those Redlaw touches become less human, not more.

The moral of the story is summed up in this: “Lord, keep my memory green!” For Dickens, the memory of sorrows and wrongs have a purpose in our life. They soften us to others. They enable us to sympathize with our fellow man. They teach us to forgive those who have wronged us. They bind us to those who suffer with us or in similar ways. The remembrance of sorrow, according to The Haunted Man, is essential to a life of compassion, goodness, and joy.

The character of Milly represents this. She is an innocent, kind, quiet young wife who ends up counteracting Redlaw’s touch. Her interest in others, her concern for the less fortunate, are not only admirable and worthy of emulation, but (as we discover in the conclusion) are rooted in her own tragedy. She had built dreams of motherly affections upon a child who was stillborn. Now she cannot interact with others without thinking of her own unborn child–childless, she has become a mother to all.

This view of sorrow and wrongs as redemptive is deeply Christian. Christians have always believed sorrow is not meaningless. It has a purpose in God’s plan. We even have a Savior “slain since before the foundation of the world.” Though all sadness and injustice will eventually be eliminated, the remembrance of sorrows will, in some way, need to be part of life after Christ’s return, for the cross will still be the pivotal act in redemptive history.

Dickens, who in much of his work is striving to alleviate suffering, knows that we must remember suffering to make the lives of those around us better. Christmas and New Year’s are special times of remembrance for many. We look back at the previous year’s events. We stop and ponder what has come before and what might come after. The prayer, “Lord, keep my memory green!” is a good one for this time of year, and for all times of year. I think Dickens would argue, for instance, it would be better to remember 2020 than to try and forget it.

As for the story itself, it is typical Dickens in many ways. It includes idiosyncratic characters, like Johnny who babysits his little sister “Moloch.” It has its convenient coincidences and connections. It ends neatly and happily. But I count those as positives. It is Dickens, after all.

This book is not as iconic as A Christmas Carol, but I wish it were better known. I think it hits upon something true and beautiful. We have plenty of adaptations of A Christmas Carol. It would be interesting, some Christmas season, to see someone tackle The Haunted Man.

Happy Birthday, Old Man!

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grayscale photography of balloon beside chanel metal barrel

I’m turning 40.

I remember when my dad turned 40. Mom threw him a big surprise party. Everyone was there. There’s this picture of him talking to people, holding a joke cane. That party was more than 25 years ago now. 

This week, my students put up black balloons in the classroom and wrote “Happy Birthday, Old Man!” on the board.

But 40 is only old to young people. It seems far less old when you reach it. Sure, I can tell I’m not as young as I used to be. I refer to twenty-somethings as kids. Certain dreams that loomed large in my youth seem less important now. (It’s hard to tell how much of that is age and how much of that is being a father to three kids.) 

Life changes you. Responsibility changes you. Age tempers the indestructibility and boundless optimism of youth, which is probably as it should be.

But, really, I still feel young. I can’t fit into the hide-and-seek spots I could as a child, and playing on the McDonald’s playset is generally frowned upon (unless, of course, your youngest gets stuck). But I still get excited by a good piece of music. I still endlessly discuss and rave about certain books. I daydream about adventures, even if it’s moved from Nerf wars to geocaching. I still have dance parties in my living room–now with my kids.

It’s easy to navel-gaze and wonder whether you wasted your life. Did I take advantage of my life before kids?  Will I ever actually publish those mostly finished novels? What did I actually do with the past 20 years? (All simply hypothetical questions that someone like me might have asked himself over the last couple years. Hypothetically.)

 These are dangerous questions, because most times they are unanswerable questions, questions with the sole purpose of making a person miserable. How is it possible not to waste your life in such a state of min?. There is always some other choice you could have made, some more work you could have put in, some imaginary goal you could have achieved.

We all age. And yet, I think some people stay young as well. Deep relationships, endless curiosity, true thanksgiving, and purposeful activity work wonders in keeping the mind and spirit young. God’s mercies are new every morning. Gaze upon them, thank him for them, work them out in your life. Outwardly we are wasting away, but inwardly we are being renewed day by day. 

That inner renewal, however God works that out in each of our lives, should be our true concern, not the number on the birthday card.

I’ve always believed (even when I despaired) that the best age is the one I am, that God makes everything good in its time. Our happiness is not rooted in checked-off bucket lists or impressive resumes, though it’s so natural for us to think so. Rather, it is in our communion with and the revelation of God and his Son Jesus Christ in our lives.

I just need to remind myself of that next time my mid-life crisis flares up.

~~~

Story Connection – Once, I tried my hand at a story chronicling how an author’s stage of life influenced his fiction. Read it here: “The Stories of My Life”